2026 | Professional

French Design Awards Gold Winner

Flying Apsaras Choker

Entrant

FEELING

Category

Fashion Design - Luxury

Client's Name

Country / Region

China

Rooted in the flying apsaras mural of Mogao Grottoes in Dunhuang City, Gansu Province, this piece of jewelry draws on the image of apsaras dancing in mid-air while playing the pipa in reverse, celebrating Eastern aesthetics and encouraging cultural confidence.
Its overall silhouette, flying apsaras composition, and pattern arrangement are all original. The flowing sleeves of flying apsaras in the murals are reinterpreted into a crescent-shaped choker, retaining an Eastern aesthetic. The piece is also refined to follow the natural curves of the neck and shoulders, making it lighter and more fitting. In this way, it moves beyond the traditional role of art pieces as objects of display and integrates into everyday life as a wearable accessory. The posture of the flying apsaras, flowing sleeves, and the contour of the choker echo one another, infusing the static jewelry with dynamism. Traditional elements such as Dunhuang cloud motifs, intertwined floral patterns, and yunjian (cloud-collar) structures are subtly incorporated. Through symmetrical composition, layered structuring, and measured use of negative space, the piece achieves well-ordered, lightweight, and fluid visual harmony, while embodying meanings of blessing and protection.
Crafted in high-purity solid gold, this piece of jewelry is made using two intangible cultural heritage techniques: hand engraving and high-temperature enamel firing. Through these techniques, it captures the time-honored artistic charm of Dunhuang murals. Hand engraving creates intricate layered 3D patterns and a warm, matte gold surface. The high-temperature enamel firing introduces subdued tones of cyan and ochre to echo the rustic yet elegant color palette characteristic of Dunhuang’s murals and caisson ceilings.
Using traditional craftsmanship, the piece embodies the cultural spirit of the flying apsaras, achieving harmony among beauty of form, texture, and atmosphere. It transforms the graceful apsaras depicted in the murals into a wearable and collectible contemporary art piece, offering a modern continuation of Dunhuang aesthetics.

Credits

Chairman
Yangxia Zhou
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